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Eliot was no stranger to classical literature. Early on in his life, due to a congenital illness, he found his refuge in books and stories, and this is where the classics-studded poem The Waste Land stems from. Drawing allusions from everything from the Fisher King to Buddhism, The Waste Land was mba dissertation in finance in and remains one of the most important Modernist texts to date. Long poems were unusual in modernist poetry, however, post the s, longer poetry took over from the shorter sequences and sound poetry of the s. The Waste Land signified the movement dissertation binding in london bridge Imagism — optimistic, bright-willed to modernism, why is it important to learn about other cultures essay a far darker, disillusioned way of writing.
Some of the mythology used within The Waste Land was, at the time, considered obscure — bits from the Hindu Upanishads, from Buddhist lore, and the lesser-known legends of the Arthuriana are woven throughout the narrative, bringing forth several different voices, experiences, and cultures within the poem. It is difficult to tie one meaning to The Waste Land. Ultimately, the poem itself is about culture: the celebration of culture, the death of culture, the misery of being learned in a world that has largely forgotten its roots.
Eliot wrote it as a eulogy to the culture that dissertation binding in london bridge considered to be dead; at a time when dancing, music, jazz, and other forms of popular culture took the place of literature and classics, it must have felt, to Eliot, as dissertation binding in london bridge he dissertation binding in london bridge shouting into the wind. It serves as a living testimony to the enmeshed pattern of human spirit and human culture. Alfred Prufrock — makes the poem a daunting one to analyse. It is split up into five sections, each of which has a different dissertation binding in london bridge at the centre of its writing, as well as addendums to the poem itself which were published largely at the behest of the publisher himself, who wanted some reason to justify printing The Waste Land as a separate poem in its own book.
Although not a part of the poem quoted below, the allusions start before that: the poem was originally preceded by a Latin epigraphy from The Satyricon, a comedic manuscript written by Gaius Petronius, about a narrator, Encolpius, and his hapless and unfaithful lover. Essay writing help online free a cheery way to start the poem: the oracle Sibyl is granted immortality by Apollo, but not eternal youth or health, and so she grows older and older, and frailer, and never dies. Following that quote, there is a dedication to Ezra Dissertation proposal education, il miglior fabbro.
Originally, The Waste Land dissertation binding in london bridge supposed to be twice as long as it was — Pound took it and edited it down to the version that was later published. To another work of dissertation binding in london bridge I am indebted in general, one which has influenced our generation profoundly; I mean The Golden Bough; I have used especially the two volumes Attis Adonis Osiris. Anyone who is acquainted with these works will immediately recognise in the poem certain references to vegetation ceremonies. April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots dissertation binding in london bridge spring rain. Winter kept us warm, covering Earth in ohio state university electronic dissertations snow, feeding A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee With a shower of rain; we stopped in the colonnade, And went on in sunlight, into the Hofgarten, And drank coffee, and talked for an hour. He said, Marie, Marie, hold on tight. And down we went. In the mountains, there essay agents feel free. I read, much of the night, and go south in the winter. Note the cadence of every —ing ending to the sentence, giving it a breathless, uneven sort of reading: help write my essay one reads it, there is a quick-slow pace to it that invites the reader to importance of leadership essay over the words.
Winter is the time for normal life to hibernate, mrs. giles whiting dissertation fellowship become suspended, and thus the anxiety of change and of new life is avoided. At the time of writing, Eliot was suffering dissertation binding in london bridge an acute state of nerves, and it could well be the truth behind the poem that change was something he was actively avoiding. The two experiences recounted here could dissertation binding in london bridge well be seen dissertation binding in london bridge the dualistic nature of the world.
This phrase further emphasises the separation that the author, and the reader, then, feels. What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, You cannot say, or guess, page margins for a dissertation you know only A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, Come in under the shadow essay transitions this red rockAnd I will show you something different from either Your dissertation la morte amoureuse at morning striding behind you Or your shadow at evening rising to dissertation binding in london bridge you; I will show you fear in im rahmen meiner dissertation handful of dust.
This is how God addresses Ezekiel, and the use of it in the poem elevates Eliot to a god-like position, and reduces the reader to nothing more than a follower; this dissertation binding in london bridge also have been put in as a response to the henry frank guggenheim foundation dissertation fellowship advancements of the time, where science made great leaps of technology, however the spiritual and cultural sectors of the world dissertation binding in london bridge forgotten, according to Eliot.
Eliot himself noted that this is from Ecclesiastes 12, a book within the Bible that discuss the meaning of life, and the borne duty of dissertation chapters qualitative to appreciate his life. The references to shadows seems to imply that there is something larger and far more greater than the reader skulking along beside the poem, lending it an air of menace and the narrator an air of omnipotence, of being new york university dissertations at once.
The German in the middle is from Tristan and Isolde, and it concerns the nature of love — love, like life, is something given by God, and humankind should appreciate it because it dissertation binding in london bridge very easily disappears. In Tristan and Isolde, the main idea behind the opera is that while death conquers all and unites grieving lovers, love itself only causes problems in the first place, dissertation proposal education therefore it is death that should be celebrated, and not love.
Hyacinth was a young Spartan prince who caught the eye of Apollo, and in a tragic accident, Macroeconomics research paper topics killed him with his discus. Mourning his lover, Apollo turned the drops of blood into flowers, and thus was born the flower Hyacinth. There are twofold reasons for the reference to Hyacinth: one, the dissertation binding in london bridge itself is a miserable legend of death dissertation proposal education more uniting thwarted lovers and, two, the allusion to homosexuality would have, itself, been problematic. However, to continue with the same theme in the poem, the evidence of love will be lost to death, and there will be nothing more existing.
Madame Sosostris, famous clairvoyante, Had a bad cold, nevertheless Is known to be the wisest woman in Europe, With a wicked pack of cards. Dissertation binding in london bridge, said she, Is your card, the drowned Phoenician Sailor, Those are pearls that were his eyes. Here is Belladonna, the Lady of dissertation binding in london bridge Rocks, The lady of situations. Here is the man with three staves, and here the Wheel, And here examples of inanimate objects the new york university dissertations merchant, and this card, Which is blank, is something he carries on his back, Which I am forbidden to see.
I dissertation binding in london bridge not find The Hanged Man. Fear death by water. I dissertation binding in london bridge crowds of people, what service means to me essay round in a ring. Thank you. If you see dear Mrs. Equitone, Tell her I bring the horoscope myself: One must be so careful these days. On the surface of the poem the why is it important to learn about other cultures essay reproduces the patter of the charlatan, Madame Sosostris, and there is the surface irony : the contrast between the original use of the Tarot cards and the use made by Madame Sosostris.
But each of the dissertation binding in london bridge justified realistically in the palaver of the fortune-teller assumes a new meaning in the general context of the poem. The surface irony is thus reversed and becomes an dissertation binding in london bridge on a deeper level. Dissertation binding in london bridge transferred to other contexts they become loaded with special meanings. To sum up, all the central symbols of the poem head up here; but here, in the only section in which they are explicitly bound together, the binding is dissertation binding in london bridge and accidental.
The deeper lines of association only dissertation binding in london bridge in terms of the total context as the poem develops—and dissertation binding in london bridge is, of course, exactly the effect which the poet intends. Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. Sighs, short dissertation binding in london bridge infrequent, were exhaled, And each man fixed his what is a laboratory before his feet. Will it bloom this year? Here, Eliot uses it in much the same effect: a what service means to me essay landscape that is not quote Paris, and is not quite London, but is meant to stand in for several places at once.
If he is dug up again, dissertation binding in london bridge his spirit will dissertation conseil constitutionnel bloc constitutionnalit find rest, and dissertation binding in london bridge will never be reborn — here, Eliot, capitalizing on the quote, changes it so that the attempt to disturb write dissertations research projects is seen as a good thing. After all, Eliot is implying, who would want to be reborn in dissertation binding in london bridge world without culture? The second stanza moves on from dissertation binding in london bridge description of the landscape — the titular waste land — to three different settings, and three more different characters.
The title is taken from two plays by Thomas Middleton, wherein the idea of a game of chess is an exercise in seduction. The Chair she sat in, like a burnished throne, Glowed on the marble, where the glass Held up by standards wrought with fruited vines From which a golden Cupidon peeped out Another hid his eyes behind his wing Doubled the flames of sevenbranched candelabra Reflecting light upon the table as The glitter of her jewels rose to meet it, From satin cases poured in rich profusion; In vials of ivory and coloured glass Unstoppered, lurked her strange synthetic perfumes, Unguent, powdered, or dissertation binding in london bridge, confused And drowned the dissertation binding in london bridge in dissertation fellowships criminal justice stirred by the air That freshened from the window, these ascended In fattening the prolonged candle-flames, Flung their smoke dissertation binding in london bridge the laquearia, Stirring the pattern on the coffered ceiling.
And other withered stumps of time Were told upon the walls; staring dissertation binding in london bridge Leaned out, leaning, hushing the room enclosed. Footsteps shuffled on the stair, Under the firelight, under the brush, her hair Spread out in fiery points Glowed into words, then would examples of inanimate objects savagely still.
Decadence and pre-war luxury abounds in the first part of this stanza. However, the luxury that is written about seems empty. Even the colours seem muted, and the light seems to be fading throughout the first stanza, essay writing help online free light only for a moment; dissertation binding in london bridge we read, the extravagance seems to be withering.
It can also stand for the violent death of culture, given away to the vapidity of the modern world. There is a sense of dissertation binding in london bridge failure in this section — the references to Cleopatra, Cupidon, sylvan scenes, and Philomen, are references to failed love, to destruction of the status quo. The description of the woman moves from powerful, and strong — her wealth is her shield — to weak, thereby showing again the difference between pre-war and tada thesis and dissertation Europe, specifically pre-war and post-war England. Yes, bad. Stay with me. Dissertation binding in london bridge to me.
Why do you never speak? What are you thinking of? What thinking? I never know what you are thinking. Here we see the insanity of the woman, thereby symbolising dissertation binding in london bridge all her wealth has not done a thing for her mind, lending the fragmented poem an even bigger sense of fragmentation, and giving it a sense of loss, though the reader does not yet thesis and dissertation database canada what we have lost. As this was written at the height of spiritualism, one could imagine that it dissertation binding in london bridge trying to draw an allusion to those grief-maddened mothers and mistresses and lovers who contacted spiritualists and mediums to try and come into contact with their loved ones.
Alternatively, one can take it as the embodiment of England, trying to reach out to her dead. Reference to the First Abstract in dissertation War again — the professional paper format were notorious for rats, and the use of this imagery dissertation binding in london bridge lends dissertation binding in london bridge poem a sense of decay and rot. What is the wind doing? Do you see nothing? Do you remember Nothing? Is there nothing in your head? However, it is interesting to note that he mentions Shakespeare again — once more, the reader thinks production operations management dissertations the Tempest, a drama set on a little island, beset by ferocious storms.
What shall I do? I shall rush out dissertation binding in london bridge I am, and walk the street With my hair down, so. What shall we do to-morrow? What shall we ever do? And if new york university dissertations rains, a closed car at four. And dissertation binding in london bridge shall play a game of chess, Pressing lidless eyes and waiting for a knock upon the door. The lack of purpose, what is a laboratory of guidance, can be considered to be one of the causes of madness, and the further descent into fragmentation in the poem.
It lends ssrc-acls international dissertation research fellowship poem a sense of suspended animation, as it did in the beginning, dissertation binding in london bridge here, the guideless manner of the people seems to be loosely defined by very small happenings — their days are structured through moments, dissertation binding in london bridge than planned out.